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En toda pregunta por lo fotográfico subyace
una pregunta por los límites de lo visible. 



Este trabajo reúne imágenes que ponen a la
vista la sospecha de una fuerza subterránea. Es una mirada sobre la apariencia
de las cosas&#38;nbsp; -ese borde que se expone a la vista- bajo la cual se intuye
algo que no se ve pero que circula por debajo de modo silencioso: una vibración
que a la distancia mantiene todo conectado. Un campo magnético en acción. 



En esta búsqueda, como en una pesquisa
visual, la fotografía es el medio para coleccionar y agrupar pistas en las que
aparecen escenas en tensión que empiezan a construir la serie y a darle cuerpo
a un relato que que consiste en esa misma ligazón invisible que convive en una
especie de tiempo diferido y espacialidad dislocada. De esta manera, la
hisoria está escondida en la imagen.



Campo Magnético busca señalar intervalos,
pequeñas torsiones en las que nuestra realidad tan cotidiana se corre como un
telón de fondo dejando lugar a lo desconocido pero familiar.

	Underlying every
question about the photographic is a question about the limits of the visible.
This work gathers images that bring into view the suspicion of a subway force.
It is a look at the appearance of things under which one senses something that
is not seen but that circulates silently underneath: a vibration that keeps
everything connected at a distance. A magnetic field in action.
In this search, as in a visual investigation, photography is the means to
collect and group clues in which scenes appear in tension that begin to build
the series and to give body to a story that consists of that same invisible
link that coexists in a kind of deferred time and dislocated spatiality.
Campo Magnético seeks to point out intervals, small twists in which our
everyday reality runs like a backdrop, leaving room for the unknown but
familiar.
















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Esta serie parte de videos y fotografías encontrados en archivos vinculados a la espeleología. A través de capturas de pantalla, me apropio de estas imágenes fragmentándolas, editándolas y reterritorializándolas: las traslado desde la inmaterialidad digital y dislocada de internet hacia la caverna del laboratorio fotográfico, donde realizo copias por contacto.


En ese pasaje, y a pesar de sus diversos orígenes y técnicas, las imágenes devienen en un conjunto de apariencia y temporalidad enigmáticas. Con ellas compongo un relato posible, ficcionalizado, como si fueran recuerdos olvidados que emergen desde estos espacios milenarios: repertorios de la memoria del planeta y, a la vez, de la humanidad, que asoman desde un lado B.
	This series draws on videos and photographs found in archives related to caving. Through screenshots, I appropriate these images by fragmenting, editing and reterritorialising them: I transfer them from the digital, dislocated immateriality of the internet into the cavern of the darkroom, where I make contact prints.

In this transition, and despite their diverse origins and techniques, the images become a collection of enigmatic appearances and temporalities. With them, I compose a possible, fictionalised narrative, as if they were forgotten memories emerging from these ancient spaces: repositories of the planet’s memory and, at the same time, of humanity’s, peeking out from a B-side.




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</description>
		
	</item>
		
		
	<item>
		<title>Audiovisual Sexto Continente</title>
				
		<link>https://estrellaherrera.com.ar/Audiovisual-Sexto-Continente-1</link>

		<pubDate>Fri, 23 Jun 2023 21:22:21 +0000</pubDate>

		<dc:creator>Estrella Herrera</dc:creator>

		<guid isPermaLink="true">https://estrellaherrera.com.ar/Audiovisual-Sexto-Continente-1</guid>

		<description>

	En la era del encandilamiento la noche se ha extinguido.
Desaparecidas las sombras, lo que queda es el reino de la evidencia. Los
habitantes huyen a espacios oscuros donde refugiarse de un resplandor
insoportable y los agujeros en la superficie terrestre se convierten en su
refugio. 


Este video experimental
trabaja el binomio luz-sombra poniendo en relación principios básicos de la
técnica fotográfica con las cuevas,&#38;nbsp; espacios ocultos ligados al origen de
la vida humana.


La proyección del video
tiene una versión performática con trabajo de laboratorio en escena.


Dirección:
Estrella Herrera. Equipo artístico: Loli Mosquera, Diego Spivacow y Celeste Rojas Mugica.
	In the age of enchantment, the night has been extinguished. With the shadows gone, what remains is the realm of evidence. The inhabitants flee to dark spaces where they can take refuge from an unbearable glare and the holes in the earth's surface become their refuge.&#38;nbsp;
This experimental video works on the light-shadow binomial by relating basic principles of the photographic technique photographic technique with caves, hidden spaces linked to the origin of human life.
The projection of the video has a performative version with laboratory work on stage.
Directed by: Estrella Herrera. In collaboration with Loli Mosquera, Diego Spivacow and Celeste Rojas Mugica.
	
















































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&#60;img width="3963" height="2642" width_o="3963" height_o="2642" data-src="https://freight.cargo.site/t/original/i/2b8c72d3746b138940f6cbead138f985c5536c0551c8f939aa4c1a3ca4e4b54c/IMG-0182-copy-1-copy.jpg" data-mid="183112267" border="0"  src="https://freight.cargo.site/w/1000/i/2b8c72d3746b138940f6cbead138f985c5536c0551c8f939aa4c1a3ca4e4b54c/IMG-0182-copy-1-copy.jpg" /&#62;
&#60;img width="2041" height="1362" width_o="2041" height_o="1362" data-src="https://freight.cargo.site/t/original/i/e3b5475be0ba4b8619cedfc978e258dfc924da435a932091128b139195c8841e/Copia-de-cine-BAJA-0325.jpg" data-mid="183100981" border="0"  src="https://freight.cargo.site/w/1000/i/e3b5475be0ba4b8619cedfc978e258dfc924da435a932091128b139195c8841e/Copia-de-cine-BAJA-0325.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Orden y Procedencia Recorrido</title>
				
		<link>https://estrellaherrera.com.ar/Orden-y-Procedencia-Recorrido</link>

		<pubDate>Fri, 29 Apr 2022 19:03:27 +0000</pubDate>

		<dc:creator>Estrella Herrera</dc:creator>

		<guid isPermaLink="true">https://estrellaherrera.com.ar/Orden-y-Procedencia-Recorrido</guid>

		<description>



	


















En un edificio de
inicios del sg.XX ubicado en pleno microcentro porteño, funcionó el antiguo
Archivo de la Nación Argentina. Inicialmente construido para ser un banco, el
predio guardó detrás de las puertas blindadas de las bóvedas los documentos
escritos, fotografías, videos y audios de siglos de la historia de un país.



En 2021 el archivo se
puso en movimiento y emprendió un proceso de mudanza. Sus trabajadores
embalaron el patrimonio acomodándolo en numerosas cajas. En colaboración con el
Ejército Argentino se realizaron sucesivos viajes, desplazando esta memoria
material de la nación hacia su nuevo destino.

Orden y procedencia (o
las formas de meter el tiempo en una caja) es un proyecto performático,
instalativo y audiovisual realizado en el Archivo General de la Nación (Argentina)
en su 200 aniversario.
La obra comprende un recorrido en el antiguo edificio del AGN y un ensayo
audiovisual que fue realizado a partir del registro del traslado del Archivo de
su antiguo edificio que lo albergó por más de 100 años.
Esta obra fue la primera actividad del área Archivos del Centro Cultural
Kirchner en 2021, un espacio dedicado a la reflexión sobre el patrimonio
documental y su capacidad de agenciamiento en el tiempo presente.









&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/9a73e03f193390eec0e81fbbb4969d45adfe78926700461c80c5bd00b90a5ca4/01OrdenyProcedenciaRecorrido.jpg" data-mid="177989994" border="0"  src="https://freight.cargo.site/w/1000/i/9a73e03f193390eec0e81fbbb4969d45adfe78926700461c80c5bd00b90a5ca4/01OrdenyProcedenciaRecorrido.jpg" /&#62;
&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/9537b8bf57a1b82e2a6165000773bbe222966a8399e994c7f6a569e1b8935231/05OrdenyProcedenciaRecorrido.jpg" data-mid="177989998" border="0"  src="https://freight.cargo.site/w/800/i/9537b8bf57a1b82e2a6165000773bbe222966a8399e994c7f6a569e1b8935231/05OrdenyProcedenciaRecorrido.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/34cadf594187025ae77b77770fe84b0c97329f2a52d6f1127c28bd56fd2810cc/08OrdenyProcedenciaRecorrido.jpg" data-mid="177990001" border="0"  src="https://freight.cargo.site/w/1000/i/34cadf594187025ae77b77770fe84b0c97329f2a52d6f1127c28bd56fd2810cc/08OrdenyProcedenciaRecorrido.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/3de6eeb9ff4d0a1ff4002b0b3f6cd888e62310d2a733e900856331dd2aebc7c0/03OrdenyProcedenciaRecorrido.jpg" data-mid="177989996" border="0"  src="https://freight.cargo.site/w/1000/i/3de6eeb9ff4d0a1ff4002b0b3f6cd888e62310d2a733e900856331dd2aebc7c0/03OrdenyProcedenciaRecorrido.jpg" /&#62;
&#60;img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/ef4a0d6e9b92e767267d8df942646c6032b531749ad22b520e4db23d80095aca/2021-10-08-agn-recorrida-archivo-general-foto-manuel-pose-varela-08.jpg" data-mid="177990005" border="0"  src="https://freight.cargo.site/w/1000/i/ef4a0d6e9b92e767267d8df942646c6032b531749ad22b520e4db23d80095aca/2021-10-08-agn-recorrida-archivo-general-foto-manuel-pose-varela-08.jpg" /&#62;
&#60;img width="799" height="1200" width_o="799" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d226501ebea7bfa21bb2deda457aff1f32ffd994e5efa1d702599000684f76f4/02OrdenyProcedenciaRecorrido.jpg" data-mid="177989995" border="0"  src="https://freight.cargo.site/w/799/i/d226501ebea7bfa21bb2deda457aff1f32ffd994e5efa1d702599000684f76f4/02OrdenyProcedenciaRecorrido.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/06867aaf90137c7fcdb94c8328d469388583cc7add1b70640e7292e560718f89/04OrdenyProcedenciaRecorrido.jpg" data-mid="177989997" border="0"  src="https://freight.cargo.site/w/1000/i/06867aaf90137c7fcdb94c8328d469388583cc7add1b70640e7292e560718f89/04OrdenyProcedenciaRecorrido.jpg" /&#62;
&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f9508e0afaf2e7224aac7a23e02c38f4e7425f139f841121f02e403d26540c66/06OrdenyProcedenciaRecorrido.jpg" data-mid="177989999" border="0"  src="https://freight.cargo.site/w/800/i/f9508e0afaf2e7224aac7a23e02c38f4e7425f139f841121f02e403d26540c66/06OrdenyProcedenciaRecorrido.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/3f3e7d04ed88ac6755154ee7bba9c86c6c2cee43392def7ef29a7a9e1b1fd18e/11OrdenyProcedenciaRecorrido.jpg" data-mid="177990004" border="0"  src="https://freight.cargo.site/w/1000/i/3f3e7d04ed88ac6755154ee7bba9c86c6c2cee43392def7ef29a7a9e1b1fd18e/11OrdenyProcedenciaRecorrido.jpg" /&#62;
&#60;img width="1627" height="1094" width_o="1627" height_o="1094" data-src="https://freight.cargo.site/t/original/i/56841df39d9c9e83ab79c7560645bde977f510872819b081594556210e097f01/07OrdenyProcedenciaRecorrido.jpg" data-mid="177990000" border="0"  src="https://freight.cargo.site/w/1000/i/56841df39d9c9e83ab79c7560645bde977f510872819b081594556210e097f01/07OrdenyProcedenciaRecorrido.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/ad6be7b4bea69e02cdec8f6c18c10157317f8877c73209eb52be100e886fe391/09OrdenyProcedenciaRecorrido.jpg" data-mid="177990002" border="0"  src="https://freight.cargo.site/w/1000/i/ad6be7b4bea69e02cdec8f6c18c10157317f8877c73209eb52be100e886fe391/09OrdenyProcedenciaRecorrido.jpg" /&#62;
&#60;img width="798" height="1200" width_o="798" height_o="1200" data-src="https://freight.cargo.site/t/original/i/0f7213cad35d832ae7ee17be3da9305f214e56e028740794893862d6e70f710d/10OrdenyProcedenciaRecorrido.jpg" data-mid="177990003" border="0"  src="https://freight.cargo.site/w/798/i/0f7213cad35d832ae7ee17be3da9305f214e56e028740794893862d6e70f710d/10OrdenyProcedenciaRecorrido.jpg" /&#62;


	


















Order
&#38;amp; Provenance (or the possible ways to put time in a box) is a
performance, an installation and an audiovisual project developed at the
Archivo General de la Nación (Argentina) on its 200th anniversary, which
includes a guided tour in the old building&#38;nbsp; and ends with the video
projected at the Centro Cultural Kirchner.
It was made during the relocation of the Archive from its old building that
housed it for more than 100 years. This work is the first activity of the
Archive’s area of the Kirchner Cultural Center, a space dedicated to the
reflection on the documentary heritage and its capacity of agency in the
present time.



In an early 20th century building located in
the heart of downtown Buenos Aires, the old National Archive of Argentina was
housed. Initially designed to be a bank, the building kept behind the armored
doors of the vaults the written documents, photographs, videos and audios of
centuries of a country's history.
In 2021 the archive started moving and began a process of relocation. Its workers
packed the heritage in numerous boxes. In collaboration with the Argentine
Army, successive trips were made to transport this material memory of the
nation to its new destiny.



















Orden
y Procedencia es un proyecto a cargo de Estrella Herrera con la colaboración de
Agustina Triquell y Celeste Rojas Mugica. 



 
Recorrido instalativo:
Estrella Herrera y Agustina Triquell.
Realización audiovisual
y cámara: Estrella Herrera y Celeste Rojas Mugica.
Montaje: Celeste Rojas
Mugica
Música original: Violeta
García
Post producción de
sonido: Rodrigo Merolla
Corrección de color:
Juan Pablo Tristán













</description>
		
	</item>
		
		
	<item>
		<title>Orden y Procedencia Audiovisual</title>
				
		<link>https://estrellaherrera.com.ar/Orden-y-Procedencia-Audiovisual</link>

		<pubDate>Sat, 24 Jun 2023 04:07:16 +0000</pubDate>

		<dc:creator>Estrella Herrera</dc:creator>

		<guid isPermaLink="true">https://estrellaherrera.com.ar/Orden-y-Procedencia-Audiovisual</guid>

		<description>
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/aa7a9e21215b66975d091fe30157dae7f4fe40987b16f2529c5d58362af59a5c/02.jpg" data-mid="183112820" border="0"  src="https://freight.cargo.site/w/1000/i/aa7a9e21215b66975d091fe30157dae7f4fe40987b16f2529c5d58362af59a5c/02.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/f347b3f1f3c192f317c847dd40eff415e2880894541449f882e9dfcc39c9653a/04.jpg" data-mid="183112822" border="0"  src="https://freight.cargo.site/w/1000/i/f347b3f1f3c192f317c847dd40eff415e2880894541449f882e9dfcc39c9653a/04.jpg" /&#62;
&#60;img width="1500" height="848" width_o="1500" height_o="848" data-src="https://freight.cargo.site/t/original/i/53887ca46bdeb38c1145f056ac6d741b13649c7a47528479c3bc72c41a6903a3/06-copy.jpg" data-mid="206719064" border="0"  src="https://freight.cargo.site/w/1000/i/53887ca46bdeb38c1145f056ac6d741b13649c7a47528479c3bc72c41a6903a3/06-copy.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/875682bd8d2734d937f7b112fd3f43d0abba96a3a01616f9aec8cc70ac50cb76/03.jpg" data-mid="183112821" border="0"  src="https://freight.cargo.site/w/1000/i/875682bd8d2734d937f7b112fd3f43d0abba96a3a01616f9aec8cc70ac50cb76/03.jpg" /&#62;

"La luz de una linterna pone en evidencia la
oscuridad de un espacio que se adivina amplio y laberíntico. Hombres
uniformados caminan, ordenan y apilan cajas, suben y bajan escaleras. Sobre
imágenes dignas de un policial, una poética voz enuncia títulos que organizan
fichas y números que categorizan carpetas. En este intrigante cortometraje
observacional, la particular mirada de Estrella Herrera y Celeste Rojas hace de
una tarea práctica y burocrática un universo fascinante, abriendo preguntas en
torno al aspecto tangible de la historia de nuestro país y a la espacialidad de
la memoria."


Celina Wolffelt






Recorrido instalativo:
Estrella Herrera y Agustina Triquell.Realización audiovisual
y cámara: Estrella Herrera y Celeste Rojas Mugica.Montaje: Celeste Rojas
MugicaMúsica original: Violeta
GarcíaPost producción de
sonido: Rodrigo MerollaCorrección de color:
Juan Pablo Tristán



	



&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/ac174c2b143a65c5c96711a6992688599c2836b1640486bbf8e3ad13676997ef/05.jpg" data-mid="183112823" border="0"  src="https://freight.cargo.site/w/1000/i/ac174c2b143a65c5c96711a6992688599c2836b1640486bbf8e3ad13676997ef/05.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/2d2a89f3247ef760e613c6a773fda44d10b8663b00641764f880aca08746fb29/01.jpg" data-mid="183112819" border="0"  src="https://freight.cargo.site/w/1000/i/2d2a89f3247ef760e613c6a773fda44d10b8663b00641764f880aca08746fb29/01.jpg" /&#62;










	In an early twentieth century building located in the heart of downtown Buenos Aires, the old Archive of the Argentine Nation was housed. Initially built to be a bank, the building kept behind the armored doors of the vaults the written documents, photographs, videos and audios of centuries of the history of a country. In 2021 the archive started moving and undertook a moving process. Its workers packed the heritage in numerous boxes. In collaboration with the Argentine army, successive trips were made to move this material memory of the nation to its new destination.
 

"The light of a lantern highlights the darkness of a space that is
The light of a lantern reveals the darkness of a space that seems vast and labyrinthine. Uniformed men walk, arrange and stack boxes, go up and down stairs. On images worthy of a detective story, a poetic voice enunciates titles that organize files and numbers
and numbers that categorize folders. In this intriguing observational short film
observational short film, the particular gaze of Estrella Herrera and Celeste Rojas makes a practical and bureaucratic a practical and bureaucratic task a fascinating universe, opening questions around the tangible aspect of th the tangible aspect of our country's history and the spatiality of memory."

Celina Wolffelt
</description>
		
	</item>
		
		
	<item>
		<title>La conquista de las vacaciones</title>
				
		<link>https://estrellaherrera.com.ar/La-conquista-de-las-vacaciones</link>

		<pubDate>Thu, 07 Mar 2024 19:13:19 +0000</pubDate>

		<dc:creator>Estrella Herrera</dc:creator>

		<guid isPermaLink="true">https://estrellaherrera.com.ar/La-conquista-de-las-vacaciones</guid>

		<description>
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f5cffc05bb60622dcffc9e42155b69380d930478984e7b8455a1e555c9476b86/9A3A9697.jpg" data-mid="206271236" border="0"  src="https://freight.cargo.site/w/1000/i/f5cffc05bb60622dcffc9e42155b69380d930478984e7b8455a1e555c9476b86/9A3A9697.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/ecf59b38bed1e5cdaa742788a65c19c72d08ee1551eaced347263340237701f7/9A3A8619.jpg" data-mid="206271235" border="0"  src="https://freight.cargo.site/w/1000/i/ecf59b38bed1e5cdaa742788a65c19c72d08ee1551eaced347263340237701f7/9A3A8619.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/97c344cce84ad864ac714c105f2b62276d8a0e75a983a2baa841e672df137a2e/9A3A0930.jpg" data-mid="206271214" border="0"  src="https://freight.cargo.site/w/1000/i/97c344cce84ad864ac714c105f2b62276d8a0e75a983a2baa841e672df137a2e/9A3A0930.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/a50a0e3c015f40a1d3c56d8c3a2543a52c8a4c03575ea65a85b42fdf2cdaa3de/9A3A7189.jpg" data-mid="206271230" border="0"  src="https://freight.cargo.site/w/1000/i/a50a0e3c015f40a1d3c56d8c3a2543a52c8a4c03575ea65a85b42fdf2cdaa3de/9A3A7189.jpg" /&#62;
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/198a9793cf07c1f91b486b0cef06f2f6a51cd8725fc7b26755fb97445f4f9323/9A3A4959-2.jpg" data-mid="206271228" border="0"  src="https://freight.cargo.site/w/1000/i/198a9793cf07c1f91b486b0cef06f2f6a51cd8725fc7b26755fb97445f4f9323/9A3A4959-2.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/fe6343ee1c4817d67128d0c1b88789f881c04b52f51064cc1bf3509223448d20/9A3A4372.jpg" data-mid="206271225" border="0"  src="https://freight.cargo.site/w/1000/i/fe6343ee1c4817d67128d0c1b88789f881c04b52f51064cc1bf3509223448d20/9A3A4372.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/4d8262095ec893ddba7845654aa97a6aabeeb206f618516167b10e20501d8f7b/9A3A4393.jpg" data-mid="206271226" border="0"  src="https://freight.cargo.site/w/1000/i/4d8262095ec893ddba7845654aa97a6aabeeb206f618516167b10e20501d8f7b/9A3A4393.jpg" /&#62;
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/22d09592d345ea65826efb9be3b1901f3a396dd74084094d3ff59421ecc38caf/9A3A4678.jpg" data-mid="206271227" border="0"  src="https://freight.cargo.site/w/1000/i/22d09592d345ea65826efb9be3b1901f3a396dd74084094d3ff59421ecc38caf/9A3A4678.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/4d3cf621706cbd4fb7b5303c4e033e5598ca7dd2cb8c056ce5c800121019f7d6/9A3A8455.jpg" data-mid="206271234" border="0"  src="https://freight.cargo.site/w/1000/i/4d3cf621706cbd4fb7b5303c4e033e5598ca7dd2cb8c056ce5c800121019f7d6/9A3A8455.jpg" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/3d25d901f41dfc37493a62d6a4f8298b4b47fc49328d708404eed3f71f3c9ca6/9A3A1210.jpg" data-mid="206271194" border="0"  src="https://freight.cargo.site/w/1000/i/3d25d901f41dfc37493a62d6a4f8298b4b47fc49328d708404eed3f71f3c9ca6/9A3A1210.jpg" /&#62;



	



















En medio de los acantilados que dan al océano Atlántico y entre las sierras cordobesas, un enorme conjunto de edificios blancos de tejas colora- das se levanta como un gigante en medio del paisaje. Las Unidades Turísticas de Chapadmalal y Embalse reciben durante todo el año, y especialmente en vera- no, miles y miles de argentinos de todos los rincones del país. Estos emblemáticos parajes son monumen- tos históricos nacionales e íconos del turismo social en Argentina.
Detrás de las sonrisas de quienes allí veranean está la historia de cómo se democratizó el acceso a las vaca- ciones. Fue hacia fines de los años 40, durante el pri- mer gobierno de Juan D. Perón, que el ocio y el descan- so se volvieron una posibilidad para los trabajadores y sus familias, y ya no un privilegio de la aristocracia.
Entre estas paredes y estos paisajes, muchas per- sonas han conocido el mar o las sierras, compartido con otros y tenido fugaces instantes de felicidad. Tras su recuperación, después de muchos años de aban- dono, este verano una nueva camada entrará en sus aguas saladas y recorrerá los senderos serranos. Se sumarán así a las generaciones de argentinos que han disfrutado aquí de la conquista de las vacaciones, un valioso patrimonio histórico, arquitectónico y, sobre todo, emocional.

	In the middle of the cliffs overlooking the Atlantic Ocean and among the Cordoba hills, a huge group of white buildings with colored tiles rises like a giant in the middle of the landscape. The Tourist Units of Chapadmalal and Embalse receive throughout the year, and especially in summer, thousands and thousands of Argentines from all corners of the country. These emblematic places are national historical monuments and icons of social tourism in Argentina.
 Behind the smiles of those who spend their vacations there is the story of how access to vacations was democratized. It was towards the end of the 1940s, during the first government of Juan D. Perón, that leisure and rest became a possibility for workers and their families, and no longer a privilege of the aristocracy.
 Within these walls and these landscapes, many people have known the sea or the mountains, shared with others and had fleeting moments of happiness. After their recovery, after many years of aban- dation, this summer a new litter will enter its salty waters and travel the mountain trails. They will join the generations of Argentines who have enjoyed here the conquest of vacations, a valuable historical, architectural and, above all, emotional heritage.















</description>
		
	</item>
		
		
	<item>
		<title>NidoErrante</title>
				
		<link>https://estrellaherrera.com.ar/NidoErrante</link>

		<pubDate>Wed, 17 Jan 2024 22:00:26 +0000</pubDate>

		<dc:creator>Estrella Herrera</dc:creator>

		<guid isPermaLink="true">https://estrellaherrera.com.ar/NidoErrante</guid>

		<description>
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NidoErrante fue un proyecto
estético relacional con formato de residencia móvil que coordinamos junto a Agustina
Triquell entre 2014 y 2017. Nido se proponía producir vínculos entre artistas
que trabajan con diferentes manifestaciones del lenguaje fotográfico dentro del
arte contemporáneo. Entre 2014 y 2017 desarrollamos seis ediciones en
diferentes localidades del país (Anisacate/ Córdoba; Miramar/Buenos Aires;
Meliquina/Neuquén, Vaqueros/Salta; Pueblo Liebig/Entre Ríos, El Chaltén/ Santa
Cruz) en las que participaron más de 40 artistas de Argentina y Latinoamérica.
Como memoria del proyecto hicimos esta web con
todo el archivo de los trabajos realizados por lxs participantes, las acciones transversales
que realizamos colectivamente y las bitácoras de nuestros viajes.






También, a modo de cierre, editamos
la publicación Lo
que se hizo, lo que no y lo que se hará de todas formas. Un
viaje a través de las múltiples ediciones del proyecto que propone un
nuevo espacio-tiempo de encuentro y reflexión desde la imaginación colectiva y
práctica del estar juntxs.







	NidoErrante was a relational aesthetic project with a mobile residency format that we coordinated together with Agustin Triquell between 2014 and 2017. Nido aimed to produce links between artists working with different manifestations of photographic language within contemporary art. Between 2014 and 2017, we developed six editions in different locations in the country (Anisacate/ Córdoba; Miramar/Buenos. Aires.; Meliquina/Neuquén, Vaqueros/Salta; Pueblo Liebig/Entre Ríos, El Chaltén/ Santa Cruz), in which more than 40 artists from Argentina and Latin America participated.

As a memory of the project we made this web site with the whole archive of the works made by the participants, the transversal actions we collectively made and the
and the logs of our travels.


Also we edited the publication Lo
que se hizo, lo que no y lo que se hará de todas formas. Ajourney through the multiple editions of the project that proposes a new space-time of encounter new space-time of encounter and reflection from the collective imagination and practice of being together.
</description>
		
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		<title>Retratos</title>
				
		<link>https://estrellaherrera.com.ar/Retratos-1</link>

		<pubDate>Fri, 22 Mar 2024 18:10:27 +0000</pubDate>

		<dc:creator>Estrella Herrera</dc:creator>

		<guid isPermaLink="true">https://estrellaherrera.com.ar/Retratos-1</guid>

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Me gusta retratar gente que no conozco. La fotografía me da la excusa para acercarme a gente que me intriga o me llama la atención. Con la cámara en la mano puedo acercarme a extraños y pedirles permiso para mirarlos de cerca&#38;nbsp; un rato (y que a veces me miren a mí también).


Ese contacto siempre está cargado con la fuerza misteriosa de la atracción y el vértigo de saber que, quizás, no volveremos a vernos más allá de la imagen. 


Estas fotos fueron tomadas entre el 2015 y el 2023 en distintos lugares.





	I like to take portraits of people I don't know. Photography gives me the excuse to get close to people who intrigue me or catch my attention. With camera in hand I can approach strangers and ask their permission to look at them closely for a while (and sometimes they look at me too).

That contact is always charged with the mysterious force of attraction and the vertigo of knowing that, perhaps, we will never see each other again beyond the image.

These photos were taken between 2015 and 2023 in different places.






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		<title>BIO</title>
				
		<link>https://estrellaherrera.com.ar/BIO</link>

		<pubDate>Tue, 12 Apr 2022 15:19:16 +0000</pubDate>

		<dc:creator>Estrella Herrera</dc:creator>

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	DESCARGAR CV ESP / DOWNLOAD ING CV

Licenciada en Artes, fotógrafa
y artista visual. Su obra trabaja en torno a la materialidad fotográfica, sus
diferentes soportes, sentidos y traducciones. En la actualidad trabaja en el
cruce de la fotografía, el video y la performance.



Llevó adelante NIDOERRANTE
entre 2014-2017 junto a Agustina Triquell, dispositivo estético relacional con
formato de residencia móvil para artistas latinoamericanxs. 
Realizó el programa de cine del Departamento de Arte de la Universidad Torcuato Di Tella. Seleccionada en el 38 Festival Internacional de Cine de Mar del Plata con el corto Sexto Continente.



Sus proyectos han sido
exhibidos en festivales en Argentina y el exterior. En 2009 obtuvo una beca del
grupo Montevideo para estudiar en la Escuela de Bellas Artes de la UFMG, Brasil.
Obtuvo la beca a la formación (2016) y a la creación (2021-2022) del Fondo
Nacional de las Artes y la beca PAC FOTO (2017). Obtuvo el 2º premio del
Concurso Francisco Ayerza (2009) y el 1º premio Festival de Fotografía
Verzasca-Suiza (2017).



Publicó el diario de viaje en
formato fanzine La fantasía de la fuga tiene forma de isla con Asunción Casa
Editora. En 2021 llevó adelante Orden y procedencia ( o las formas posibles de
meter el tiempo en una caja) recorrido instalativo performático y ensayo audiovisual
sobre el proceso de mudanza del Archivo General de la Nación junto al Centro
Cultural Kirchner y la colaboración de Agustina Triquell y Celeste Rojas
Mugica. Este proyecto obtuvo el premio a mejor cortometraje argentino en el Syncro
Film Fest.



En 2022 presentó el proyecto
SIMA-Sexto Continente en Fundación Cazadores, obra instalativa y performática
en colaboración con Loli Mosquera, Diego Spivacow y Celeste Rojas Mugica que
contó con el apoyo de Mecenazgo Ciudad. En 2023 realizó el Programa de Cine en
el Departamento de Arte de la UTDT.



Vive en Bs.As dónde trabaja en
sus proyectos, como docente de fotografía en creadores de&#38;nbsp; imágenes y como fotógrafa de viajes.
..........................................................................................






Graduate in Arts, photographer and visual artist. Her work is based on photographic materiality,  its different supports, senses and translations. She is currently working currently works at the crossroads of photography, performance and video. 

She developed NidoErrante between 2014-2017 together with Agustina Triquell.
Triquell, a relational aesthetic dispositive with a mobile residency format for Latin American  artists. She has completed a training in filmmaking at
Department of Art at the Universidad Torcuato Di Tella. She teaches
photography at Creadorxs de imágenes and Santa Talleres in Buenos Aires.

Her projects have been exhibited in festivals in Argentina and abroad.
abroad. In 2009 she was awarded a scholarship by the Montevideo group to study at the the School of Fine Arts at UFMG, Brazil. 
He obtained the scholarship for training (2016) and creation (2021-2022) of the
Fondo Nacional de las Artes, Argentina, and the PAC FOTO grant (2017). He won the 2nd prize of the Francisco Ayerza Competition (2009) and the 1st prize in the Festival of Photography Verzasca-Switzerland (2017). 

She published the travel diary in fanzine format La fantasía
de la fuga tiene forma de isla with Asunción Casa Editora. In 2021 he published
Orden y procedencia (or the possible ways of putting time in a box), a performative installation and audiovisual essay on the process of moving the General Archive of the Argentinian Nation in coordination with the Kirchner Cultural Center and the the collaboration of Agustina Triquell and Celeste Rojas Mugica.

In 2022 he presented the project SIMA-Sexto Continente at the Fundación Cazadores.
Fundación Cazadores, an installation and performative work that was supported by Mecenazgo Ciudad. In 2023 she carried out the Film Program at the Art Department of the UTDT.
Art Department of the Universidad Torcuato Di Tella.

She teaches photography at Creadorxs de imágenes and works as a travel photographer.
	

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